A long long time ago.'" could be describing an encounter between Big Boss and Venom Snake, where Venom is still his own man. I spoke into his eyes, 'I thought you died alone. "The Man Who Sold the World" also has some literal interpretations when it comes to the story of MGSV. Both interpretations work within the context of MGSV, as Venom Snake is both convincing the world of the lie that he is Big Boss while also giving up his own "world" in the form of his identity. "Selling the world" has two main interpretations, either to knowingly convince the world of a lie or to give one's own world away. There's more to the connection than just the topic of doppelgängers. RELATED: Metal Gear Solid Has a Weird History With.Yoshi? MGSV opening with a song about identity and doppelgängers effectively reveals the game's biggest twist from the very start. Venom eventually learns the truth but chooses to continue to serve as Big Boss's doppelgänger, completely forgoing his own identity until his death in the original Metal Gear. After Venom Snake survives a helicopter crash, he is unknowingly brainwashed into believing that he is the real Big Boss. The catch is that not even Venom Snake is aware of his real identity - at least not at first. In other words, the player is a doppelgänger of Big Boss. The big twist in MGSV is that the player character is actually Venom Snake and not Big Boss, with Venom serving as a body double to Big Boss to help spread the latter's mythos.
Taking the origins of the song into account, the connections between the song and MGSV are fairly clear. Some people even choose to interpret the song as David Bowie meeting Ziggy Stardust in his own mind. "The Man Who Sold the World" was recorded during a time when Bowie was fleshing out the Ziggy Stardust persona for the first time, marking a major shift in his musical identity. Part of what made David Bowie such an iconic performer is the various personas he took on over his career, with one of the most notable being the alien Ziggy Stardust.
This theme of an identity crisis was significant in Bowie's life when the song was recorded. RELATED: Metal Gear Solid 2 Fan Debuts Stunning Unreal Engine 5 Remake While the song was released in 1970, Bowie originally wrote "The Man Who Sold the World" when he was 19 years old. Bowie, according to a 1997 BBC Radio interview, wrote the song during a time when he felt like he was still searching for a part of himself that he hadn't quite found yet. The song's lyrics as a whole are almost eldritch in nature, describing an otherworldly experience of which the listener can't quite make sense. The lyrics depict the narrator having an encounter and a conversation with a doppelgänger, with this being most noticeable when a line in the chorus shifts from "I never lost control" to "We never lost control." RELATED: How Metal Gear's Revolver Went From One Dimensional to a Compelling Villainīowie's "The Man Who Sold the World" originally appeared on the 1970 album of the same name, with many critics of the time noting just how different the track sounded compared to everything else on the album. The song as a whole serves to foreshadow The Phantom Pain's story structure, as well as foreshadowing one of the game's biggest twists. Kojima, who's known to use some wild storytelling devices, pointed fans towards two major aspects of "The Man Who Sold the World" - how Bowie wrote the song and the fact that The Phantom Pain specifically uses a cover.
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MGSV director and series creator Hideo Kojima recently gave fans a bit of a hint towards what the song means for the series. Nearly every aspect of this song, including the fact that it's a cover, can actually foreshadow the plot of The Phantom Pain to players who listen carefully. While other Bowie songs are featured, there's certainly emphasis put on the game's opening cover of Bowie's "The Man Who Sold the World" by Midge Ure. Most Metal Gear Solid fans know that the music of the late David Bowie is featured fairly prominently in Metal Gear Solid V: The Phantom Pain.
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